About Lahari
Lahari Mahalanabish (Chatterji) is a writer and poet from Kolkata, India and currently based in Sydney. She is the author of the recently published short story collection Tales of the Anointed Skeletons and Love (Ukiyoto Publishing) and One Hundred Poems (Writers Workshop, 2007). Tales of the Anointed Skeletons and Love had been nominated for the Rabindranath Tagore Literary Prize 2023.
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Her short fiction was long-listed for the Grindstone International Short Story Prize (2020); poems were shortlisted for Passionfruit Poetry Prize (2023), Mslexia Poetry Competition 2021, Erbacce Prize Poetry Competition (2009 and 2010) and short story collections for Eyelands Book Awards (2019 and 2020). She also won Money Series Short Story Competition by TMYS Books (2021) and was among top 5 in Being Woman contest held by Story Mirror. Her short stories/poems have appeared in 14 anthologies and in several literary magazines/journals. A software engineer by profession, she blogs at http://theserpentacursedrhyme.blogspot.com..
Zarina
Zarina was on the way to the shop
where she worked; I was driving to my office;
after much insistence, she stepped into my car and
my heart gonged as she slammed the door
and snapped tight the seatbelt.
As much as I tried to fish out intelligent things
to say, ideas and words sogged in my brain;
I asked about her parents whom I saw
at the school gates – in all these years they were faces
seen through glasses with an incorrect eye-power,
and she mentioned they were dead
I offered condolences,
wondering what else to say, whether to ask how
she sank into silence
Only after we had passed the hotel with a terrace garden,
she told me how she hid under the bed
where her parents were gored with tridents, shaking
like the finest muslin on a wind twanged clothesline,
beside jars full of pickles her mother had
conjured from dried tamarind, lemon rind,
oiled chillies and mango mush
how they found her and dragged her out
smashing the glass jars, spattering on the floor
grainy gravy and the last slivers of motherly love;
the many rounds, as everyone wanted a chance
and left her like the sludge in a slaughterhouse,
presuming dead.
My mind raced back to her last day in my kindergarten
eight years before the carnage; back home, I had grabbed
my grandfather’s yellowing atlas to hunt down her new town,
my tears conspiring with the Rann of Kutch to over-salt
the palate of those who orchestrated my heartbreak.
I reached for those play-dough soft hands cupping
my early childhood, but she withdrew them
like the earth recedes along fault lines
perhaps the red thread around my wrist reminded
her of devils; I straightened myself with all the poise
I could muster, determined not to be the little boy
with a slimy napkin tucked in his pocket,
clutching a blotched, irreversibly creased map of Gujarat.
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